I love that it’s constantly changing. For now. It’s still pretty unpredictable, like the midst of a great big game — like the kind of games that Calvin & Hobbes played. It isn’t just the outcomes that change; our boundaries and rules keep changing too, without much notice. And we can change them (or at least affect them).

Leo Laporte got this stream of thought flowing on Sunday when he complained about Buzz (and the ephemerality of microblogging in general). For two weeks, nobody noticed that his posts weren’t getting through to Twitter. Here’s one of the money quotes (in case you missed it):

I was shouting into a vast echo chamber where no one could hear me because they were too busy shouting themselves. All this time I’ve been pumping content into the void… How demoralizing.

I had the same sort of awakening once, about a year ago: looked at my Twitter profile and saw that two weeks of updates were gone. For a second I was like, “Oh God…” until I realized how little was lost. Nothing, really. So I took a break, re-calibrated my centre of gravity and managed to keep a modest balance ever since: taking advantage of Twitter’s benefits without getting yanked into [too m]any hedonic black holes.

This kind of semi-crisis happens (I imagine) to virtually everyone who works and lives this much online. Robert Scoble went through a similar process last year… And here we are again. Paul Carr put it in (what I think are more widely and deeply compelling) terms of giving up too much of our life stories:

… for those of us who have had reason to look back at the past few years – like me writing my book, or Leo having “woken up to a bad social media dream in terms of the content I’ve put in others’ hands” – the realisation is slightly terrifying: by constantly micro-broadcasting everything, we’ve ended up macro-remembering almost nothing.

Scott Rosenberg reiterated the same concerns, addressing a specific social network that might “know” more about us than we do, and is keeping it that way:

Facebook is relentlessly now-focused. And because it uses its own proprietary software that it regularly changes, there is no way to build your own alternate set of archive links to old posts and pages the way you can on the open Web. Facebook users are pouring their hearts and souls into this system and it is tossing them into the proverbial circular file.

But I wouldn’t say everything is lost. At least nothing worth keeping…

Part of the problem might be our obsession with efficiency, and our innate aversion to loss. The Web turns thoughts and remarks into discrete, measurable objects. We never missed them much till we could pin them down and count them. We see the theoretical capacity — the Internet can store everything — so we’re inclined to feel that it should be used to its fullest. But nature has plenty of redundancies and processes that go on wastefully, or uselessly for long stretches. Plenty that dies too. Evolution wouldn’t work if everything lived forever. Sucks but that’s how it is. Same with creativity…

My own solution is to think about “inter-temporal sharing” as much as I think about social sharing. In other words, I’m filtering the present for the future, rather than insisting every check-in and tweet be saved for posterity. I’m sharing more links through Delicious — which I can export and keep on my own computer — than I do through Twitter.

You might say that’s more like “saving” than “sharing,” but isn’t saving essentially like sharing something with your future self?

[If you're interested in the theory side of this, read your Harold Innis on temporal and spatial biases. Note: I use "spatial bias" in a completely different way, more consistent with psychology than medium theory. Hat tip to Edward Comor at UWO for re-acquainting me with Innis's ideas. Also see #9 on Tim Carmody's excellent piece on 10 Reading Revolutions.]

Last year I wrote about this in response to some fears about “digital sharecropping“; I advocated thinking of it as an ongoing education and actively taking ownership of it:

Most obviously, there are opportunities for artists, writers, musicians, social entrepreneurs, etc., to nurture projects and enterprises that support our offline endeavours…

Of more universal value is our emerging ability to take responsibility for our own continuing education, and in the process — unlike in the past when “self-teaching” meant being socially isolated, with little to show for one’s labour — we can cultivate relationships and representations (i.e. measurable accomplishments) that allow us to actually use what we’ve learned.

Instead of asking how a link or remark will be received by your friends and followers within the next hour, ask yourself how it will be received by you in the future: Is it likely to be signal or noise?

To do that you need to have a sense of purpose and a mindset aimed at building something, which I think is good in itself, not merely a technique for improving the quality of the content you share. After a while this investment starts to pay off: it becomes the future, and when you’re feeling like you’re not getting enough value from the ephemeral web you can find meaning and relevance in the stocks you’ve been investing in and refining, “sharing with yourself” and turning into enduring objects over time.

Ideally, it won’t be entirely selfish. See the interesting discussion at the Lifestream Blog about changing value propositions and approaches to sharing our “likes.”

Instead of damning or resenting the mob and its whims, understand that we’re each partly responsible for those whims, and if we make an extra effort to exercise better judgement and think about investing our attention over the long term, we should find that we’re building things with our friends instead of helping each other spin the treadmill so fast that people have to jump off.

P.S. Any suggestions for tools? I use Instapaper and I’ve tried Evernote but it never quite clicked with me. My main “tool” is blogging about things and starting to tell stories while they’re still fresh…

Cee-Lo Green: Quality vs. Hype

by Brian on 08-21-2010

Bob Lefsetz wonders whether Cee-Lo’s “F**k You” is going to be another here-today-gone-tomorrow novelty. He uses the song as a jump-off to appeal for music with more staying-power and quality.

His point of comparison is the popular series of TED talks:

These TED talkers didn’t start yesterday, most have spent years dedicated to their field, to the point where they could be selected for a TED speech.  That’s the new paradigm.  Don’t ask how you can accomplish world domination right away, but keep woodshedding, creating great shit until finally, everyone wakes up and anoints it, welcomes you into the pantheon, agrees you’re great.

It’s the right sentiment but I think he picked the wrong analogy.

We can’t compare “F**k You” to the whole series of TED talks; we have to compare “F**k You” to one TED talk — and there have been a few instant sensations, if memory serves. I saw more links in my Twitter stream when Jamie Oliver’s talk came out then I’ve seen of Cee-Lo’s song so far.

In fact people make the same complaints about TED that Lefsetz makes about “F**k You.” Nassim Taleb comes to mind (most recently: “I am starting to get uncontrollably angry when I encounter TED-style phony humanitarians.”)

Cee-Lo

Photo by Scootie

And isn’t Cee-Lo Green’s career a model of this advice?

… keep woodshedding, creating great shit until finally, everyone wakes up and anoints it, welcomes you into the pantheon, agrees you’re great.

He started releasing critically acclaimed music in 1995 with Goodie Mob (a group known to me for years mainly as ”that other group from Atlanta,” being close with OutKast). There was some attention and maybe some minor hits (“Closet Freak“?) but it took more than a decade for him to find the mainstream with Gnarls Barkley and “Crazy” in 2006 — the same year he released a greatest hits album!

Now I know Lefsetz probably knows all of this, and he doesn’t explicitly say Cee-Lo exemplifies shallowness, and I agree with his overall sentiment, so I’m not going after him. I’m trying to develop something here.

I think what we ought to take away from this is that we don’t have to be the same artist or the same creative person/group/organization all the time. We can accomplish different things with different projects: we can use some projects to cultivate enduring quality and then we can use others to, you know, pay the bills and get people’s attention so we can keep making quality stuff.

There’s nothing wrong with silliness and hype. Getting excited about things once in a while is good, even if the excitement doesn’t last.

It’s only a problem for people who can only generate hype.

But contrary to a lot of fears, I don’t think the Internet is going to make things worse. I don’t think it will diminish long-term quality. I don’t think it will increase the volume of “mere hype.” Counterintuitively, it’s the proliferation of mere hype that’s going to eventually kill it.

At some point (if we aren’t there already) it’s going to be too costly to keep up with constant turnover: it’s too chaotic; it’s fatiguing. Once we cross that threshold, people who know how to develop long-term value will be the ones getting and holding people’s attention. I think we already see this with emphasis being placed on reputations and relationships online, rather than merely focusing on the last thing someone did.

We ought to let ourselves love the last thing someone did without fixating on it — without sitting there waiting for more hype to fall in front of us. We can use the rare successes as opportunities actively get into what they did before and explore the stuff they like and so on…

And so now speaking of which — this f**king song is awesome:

Lately I’ve been scouring the nets and local book-lenders for guidance and inspiration on writing. I stumbled on this at Nieman Storyboard [recommended, and the source of this post's title]:

Now, just as I don’t know what a story is going to be when I start out working on it, I have no idea how to write it, either. In fact, I try to preserve that state of mind. There’s this teaching in Zen called “beginner mind,” which says if you want to be original and creative, then you have to approach each new project as though you were an amateur, as though you had never done this before. And obviously, it’s not completely possible — or Zen would be easy, but I try to approach a story without knowing how I’m going to — often I honestly don’t know how I’m going to report it; I certainly don’t know how I’m going to write it…

That’s Mark Bowden, a well known long-form journalist and the author, most notably, of Black Hawk Down. His remarks resonated with what I’ve been thinking lately about writing and reading and life in general.

Last night I finally read “Shipping Out: On the (nearly lethal) comforts of a luxury cruise” (a.k.a. “A Supposedly Fun Thing I’ll Never Do Again”) and before that I LMAOd through “Big Red Son,” a rather over-informative forty-eight page account of Wallace’s trip to the annual porn convention and Adult Video News Awards in Las Vegas. Like Bowden, Wallace wasn’t sticking to a strict plan when he researched and told those stories. No doubt he had a timetable and a sense of what he might come up with, but both stories exude innocence (and no lack of discomfort) as he finds himself participating in episodes he apparently would have preferred not to have been a part of.

The obvious precedent is the “gonzo journalism” popularized by Hunter S. Thompson. He tended to insert himself so far into a story that his presence there became the story — or created the story by taunting hapless bystanders with lies and incapacitating his associates with whiskey and Mace (e.g. “The Kentucky Derby is Decadent and Depraved“).

When Gay Talese used the buffer around the subject as his angle in “Frank Sinatra Has a Cold,” it must have seemed radical. Now I wonder why Gay Talese didn’t spend more time on himself. Now we expect celebrity profiles to include the reporter’s account of calling on the phone to set up an interview, dealing with publicists, driving up to the house, ringing the doorbell, getting hassled by security, being peed on by the dog and having to borrow pants from someone in the entourage, etc.

I wouldn’t say it’s “self-absorbed” (at least not in a derogatory way), because they’re also giving us what we want: we identify with the naive outsider trying to find a way in.

And a lot of us want to be the outsider — an impulse that draws a lot of people to journalism and writing (and science and art and entrepreneurial endeavors) in the first place. There’s something about the human spirit that thrives in the face of the uncertain and unknown…

We’d do well to let this impulse run a little more freely, both for motivation’s sake and for improving the quality of our shared experience. Exercise the beginner’s mind instead of hiding it, learn to discover through adventure and self-discipline instead of locking it in an office [or a fixed plan].

Read the rest of Bowden’s talk. HT The Browser. There are more great magazine articles via Kevin Kelly’s collectively compiled list.

Digital Natives

by Brian on 08-09-2010

There’s an astonishingly bad article at Spiegel Online citing some research that has got a lot of discussion, arguing that notions like “digital natives“ and “the Net Generation” have been wrong because young people say that the Internet isn’t important to them.

But the evidence all seems to confirm the ideas behind the “digital native” metaphor:

Young people have now reached this turning point. The Internet is no longer something they are willing to waste time thinking about. It seems that the excitement about cyberspace was a phenomenon peculiar to their predecessors, the technology-obsessed first generation of Web users.

For a brief transition period, the Web seemed to be tremendously new and different, a kind of revolutionary power that could do and reshape everything. Young people don’t feel that way. They hardly even use the word “Internet,” talking about “Google”, “YouTube” and “Facebook” instead. And they certainly no longer understand it when older generations speak of “going online.”

Reminds me of this little parable, by way of David Foster Wallace:

There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says, “Morning boys. How’s the water?”

And the two young fish swim on for a bit and then eventually one of them looks over at the other and goes, “What the hell is water?”

Self-reports on all kinds of questions are notoriously untrustworthy. I don’t think high schoolers can assess the effects the Internet has on them any more than they can assess the effects of — well, anything. I hardly see how kids’ indifference about the Internet is a damning indictment of the “digital natives” argument. They’re indifferent about almost everything, except their friends (as Paul Sham noted on Twitter). Teens still love music, for example, but I don’t expect them to be any more enthusiastic about iTunes than previous generations were about HMV. What matters has always been the experience, the content, the relationships, and their own sense of self within all that…

In fact, I read these findings as verification.

My understanding is that this is exactly what being a digital native means. It isn’t that the Internet has gone out of style; they don’t waste time thinking about the Internet because using the Internet is normal to them.

Here’s more:

Occasionally the teacher will ask his students big-picture questions about the medium they take for granted. Questions like: Where did the Internet come from? “I’ll get replies like, ‘What do you mean? It’s just there!’” Scheppler says. “Unless they’re prompted to do so, they never address those sorts of questions. For them it’s like a car: All that matters is that it works.”

Exactly!

HT @rtraction

Beyond Entrepreneurship

07.08.2010

A few years ago I started developing what I call the “open conceptual enterprise.” The idea is that we need to rethink our basic assumptions about business not just in the context of different kinds of businesses but in the context of all types of human enterprise. By “enterprise” I mean the general impulse to [...]

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Bibliography

04.08.2010

Here’s the completely unrequested bibliography for Truth, Will & Relevance (minus a few cosmetic references): Adams, Henry. The Education of Henry Adams, 1918. Ariely, Dan; Norton, Michael; “Conceptual Consumption.” Annual Review of Psychology, 60. 2009. Argyris, Chris; Schön, Donald. Theory in Practice. 1974. Arnold, Matthew. Culture and Anarchy. 1869. Barzun, Jacques. Of Human Freedom. 1939. Barzun, Jacques. Clio [...]

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Our Sense of Awe in Perspective

02.08.2010

Lately I’ve been missing the old sense of wonder and enthusiasm I once had for the future. It seems to be a natural development in the life cycle: it was easier to get excited “when I didn’t know any better,” or hadn’t “seen it all before.” I’ve been able to get some leverage on that [...]

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What My Nephew Taught Me About Nurturing Change

27.07.2010

It’s amazing how much insight and inspiration can come from babies, as I was reminded after visiting my seven week-old nephew yesterday. Most of time we were there we listened to “the baby’s music” which is supposed to make him happy (I’m a baby-newbie so forgive me if I’m embarrassing myself), but it made the [...]

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The Meaning of Creativity is Changing, Again

16.07.2010

Complain or celebrate if you like but you’re wasting your time. What matters is what we do about this — or rather, what we do with this. Because if promoting creativity is important to you, as it is for me, then I hope you’ll be open to exploring ways to reconceive what it means and [...]

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Uncertainty and Hubris in Business

14.07.2010

The lesson of the economic crisis ought to have been that there’s a lot of inherent uncertainty. Always has been and always will be. Even when we assume things are certain, or nearly certain. The problems were all caused or enabled by people having too much faith in the bets they were making, in the [...]

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My New Favourite Phrase

12.07.2010

I’m not joking: when I was a kid I went through a phase of wanting to grow up to be someone who wrote “famous quotes.” From time to time I’d think of something that sounded profound and I’d think, “that isn’t so hard!” But then I wondered, “So now… how does this clever quote become [...]

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The Indispensable Amateur

09.07.2010

How much do I love Jacques Barzun? The exemplary historian and teacher, proponent of the Great Books tradition, Dean of Faculties and Provost at Columbia University for over a decade, who also graced the cover of Time magazine for a feature on American intellectuals, etc, etc, etc… wrote this about amateurs: A world of professionals [...]

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